{"id":2113,"date":"2025-03-14T07:55:03","date_gmt":"2025-03-14T06:55:03","guid":{"rendered":"https:\/\/www.thefilmcorner.eu\/zasoby\/"},"modified":"2025-04-10T19:25:33","modified_gmt":"2025-04-10T17:25:33","slug":"zasoby","status":"publish","type":"page","link":"https:\/\/www.thefilmcorner.eu\/pl\/zasoby\/","title":{"rendered":"Zasoby"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2113\" class=\"elementor elementor-2113 elementor-2035\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-117da49 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"117da49\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-864df10\" data-id=\"864df10\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-56cce48 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"56cce48\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3661a89\" data-id=\"3661a89\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6df20c1 elementor-widget elementor-widget-heading\" data-id=\"6df20c1\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h3 class=\"elementor-heading-title elementor-size-default\">the film corner<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1641889 elementor-widget elementor-widget-heading\" data-id=\"1641889\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><b>Zasoby<\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3decae8 elementor-widget elementor-widget-spacer\" data-id=\"3decae8\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-column 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.elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-77f1dd7 elementor-widget elementor-widget-spacer\" data-id=\"77f1dd7\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c088c7a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c088c7a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9b1fd8d\" data-id=\"9b1fd8d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e9fe33a elementor-widget elementor-widget-toggle\" data-id=\"e9fe33a\" data-element_type=\"widget\" data-widget_type=\"toggle.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-toggle{text-align:start}.elementor-toggle .elementor-tab-title{font-weight:700;line-height:1;margin:0;padding:15px;border-bottom:1px solid #d5d8dc;cursor:pointer;outline:none}.elementor-toggle .elementor-tab-title 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(max-width:767px){.elementor-toggle .elementor-tab-title{padding:12px}.elementor-toggle .elementor-tab-content{padding:12px 10px}}.e-con-inner>.elementor-widget-toggle,.e-con>.elementor-widget-toggle{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-toggle\">\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2451\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-2451\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-caret-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\">Film i Muzyka<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-2451\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-2451\"><p>ENGLISH<\/p>\n<ul>\n<li><b>\u00a0A Brief History of Film Music:\u00a0 <\/b><a href=\"https:\/\/www.filmindependent.org\/blog\/know-score-brief-history-film-music\/\">https:\/\/www.filmindependent.org\/blog\/know-score-brief-history-film-music\/<\/a><\/li>\n<li><strong>How movies use music to manipulate your memory:<\/strong> <a href=\"https:\/\/theconversation.com\/how-movies-use-music-to-manipulate-your-memory-217971\">https:\/\/theconversation.com\/how-movies-use-music-to-manipulate-your-memory-217971<\/a><\/li>\n<li><strong>The impact of background music on film audience\u2019s attentional processes<\/strong>: <a href=\"https:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC9713244\/\">https:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC9713244\/<\/a><\/li>\n<li><strong>The Roles of Music in Films<\/strong>:<br \/><a href=\"https:\/\/www.researchgate.net\/publication\/376968918_The_Roles_of_Music_in_Films\">https:\/\/www.researchgate.net\/publication\/376968918_The_Roles_of_Music_in_Films<\/a><\/li>\n<li><strong>&#8217;Pure Music&#8217; and Contemporary film:<\/strong><br \/><a href=\"https:\/\/onshow.iadt.ie\/wp-content\/uploads\/sites\/6\/2021\/04\/MCCULLOUGHEllen_%E2%80%98Pure-Music-and-Contemporary-film_N00170291.pdf\">https:\/\/onshow.iadt.ie\/wp-content\/uploads\/sites\/6\/2021\/04\/MCCULLOUGHEllen_%E2%80%98Pure-Music-and-Contemporary-film_N00170291.pdf<\/a><\/li>\n<li><strong>How Soundtracks Shape What We See<\/strong>:<br \/><a href=\"https:\/\/www.frontiersin.org\/journals\/psychology\/articles\/10.3389\/fpsyg.2020.02242\/full\">https:\/\/www.frontiersin.org\/journals\/psychology\/articles\/10.3389\/fpsyg.2020.02242\/full<\/a><\/li>\n<li><strong>The Art of Film Music<\/strong>: <a href=\"https:\/\/www.gramophone.co.uk\/features\/article\/the-art-of-film-music\">https:\/\/www.gramophone.co.uk\/features\/article\/the-art-of-film-music<\/a><\/li>\n<li><strong>Understanding the Score: Film Music Communicating to and Influencing the Audience<\/strong>: <a href=\"https:\/\/www.jstor.org\/stable\/10.5406\/jaesteduc.44.4.0081\">https:\/\/www.jstor.org\/stable\/10.5406\/jaesteduc.44.4.0081<\/a><\/li>\n<li><strong>What makes the ultimate film soundtrack?<\/strong>: <a href=\"https:\/\/www.bbc.com\/culture\/article\/20200709-what-makes-the-ultimate-film-soundtrack\">https:\/\/www.bbc.com\/culture\/article\/20200709-what-makes-the-ultimate-film-soundtrack<\/a><\/li>\n<li><strong>The Importance Of Music In Films<\/strong>: <a href=\"https:\/\/www.purposestudios.in\/post\/importance-of-music-in-films\">https:\/\/www.purposestudios.in\/post\/importance-of-music-in-films<\/a><\/li>\n<li><strong>Soundtrack vs. Score: Learn About the Two Types of Film Music: <\/strong><a href=\"https:\/\/www.masterclass.com\/articles\/soundtrack-vs-score\"><span style=\"font-weight: 400;\">https:\/\/www.masterclass.com\/articles\/soundtrack-vs-score<\/span><\/a><\/li>\n<li><strong>What Is A Film Score? Definition, Examples &amp; Tips: <\/strong><a href=\"https:\/\/filmlifestyle.com\/what-is-a-film-score\/\">https:\/\/filmlifestyle.com\/what-is-a-film-score\/<\/a><\/li>\n<li><strong>WHAT IS THE RELATIONSHIP BETWEEN MUSIC AND FILM?: <\/strong><a href=\"https:\/\/blog.audionetwork.com\/the-edit\/film\/why-is-music-important-to-film\">https:\/\/blog.audionetwork.com\/the-edit\/film\/why-is-music-important-to-film<\/a><\/li>\n<li><strong>What is the function of film music? : <\/strong><a href=\"https:\/\/www.robin-hoffmann.com\/tutorials\/what-is-the-function-of-film-music\/\">https:\/\/www.robin-hoffmann.com\/tutorials\/what-is-the-function-of-film-music\/<\/a><\/li>\n<li><strong>FILM SOUND AND MUSIC: <\/strong><a href=\"https:\/\/collegefilmandmediastudies.com\/film-sound-and-music\/\">https:\/\/collegefilmandmediastudies.com\/film-sound-and-music\/<\/a><\/li>\n<\/ul>\n<p>SLOVENIAN<\/p>\n<ul>\n<li><strong>Influence of film music on the viewer:<\/strong> <a href=\"https:\/\/www.symphony.si\/blog\/vpliv-filmske-glasbe-na-gledalca\">https:\/\/www.symphony.si\/blog\/vpliv-filmske-glasbe-na-gledalca<\/a><\/li>\n<li><strong>Film music: the all-present storyteller, which brought film (again) to silence<\/strong>: <a href=\"https:\/\/novamuska.org\/?p=2416\">https:\/\/novamuska.org\/?p=2416<\/a><\/li>\n<li><strong>Top ten films with best music<\/strong>: <a href=\"https:\/\/koridor-ku.si\/filmtv\/10-filmov-z-najboljso-glasbo\/\">https:\/\/koridor-ku.si\/filmtv\/10-filmov-z-najboljso-glasbo\/<\/a>\u00a0<\/li>\n<\/ul>\n<p>GEORGIAN<\/p>\n<ul>\n<li><strong>Music connects<\/strong>: <a href=\"https:\/\/silknet.com\/ge\/aboutus\/blog\/tsinandali7\">https:\/\/silknet.com\/ge\/aboutus\/blog\/tsinandali7<\/a><\/li>\n<li><strong>The past and future of Georgian film-music<\/strong>: <a href=\"https:\/\/www.radiotavisupleba.ge\/a\/kartuli-kinomusika\/27309962.html\">https:\/\/www.radiotavisupleba.ge\/a\/kartuli-kinomusika\/27309962.html<\/a><\/li>\n<li><strong>Silent film and music:<\/strong> <a href=\"https:\/\/1tv.ge\/video\/munji-kino-da-musika-stumari-davit-evgenidze-kompozitori-pirveli-arkhis-mtavari-musikaluri-prodiuseri\/\">https:\/\/1tv.ge\/video\/munji-kino-da-musika-stumari-davit-evgenidze-kompozitori-pirveli-arkhis-mtavari-musikaluri-prodiuseri\/ <\/a><\/li>\n<li><strong>Georgian film-music, Jim Shvante by Michael Kalatozishvili:<\/strong> <a href=\"https:\/\/helloblog.ge\/story\/Georgian-Film-Music-001\">https:\/\/helloblog.ge\/story\/Georgian-Film-Music-001<\/a><\/li>\n<li><strong>Film-music in Lana Ghogoberidze&#8217;s films: <\/strong><a href=\"https:\/\/helloblog.ge\/story\/lana-RoRoberiZis-kinos-musika\">https:\/\/helloblog.ge\/story\/lana-RoRoberiZis-kinos-musika<\/a><\/li>\n<li><strong>Jazz and cinema:<\/strong> <a href=\"https:\/\/www.radiotavisupleba.ge\/a\/music-jazz_and_movie\/24560405.html\">https:\/\/www.radiotavisupleba.ge\/a\/music-jazz_and_movie\/24560405.html<\/a><\/li>\n<li><strong>The relationship between cinema and music on the example of Gia Kancheli&#8217;s creativity<\/strong>: <a href=\"https:\/\/dspace.nplg.gov.ge\/bitstream\/1234\/142316\/1\/Disertacia.pdf\">https:\/\/dspace.nplg.gov.ge\/bitstream\/1234\/142316\/1\/Disertacia.pdf\u00a0<\/a><\/li>\n<\/ul>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2452\" class=\"elementor-tab-title\" data-tab=\"2\" role=\"button\" aria-controls=\"elementor-tab-content-2452\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-caret-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\"> Artyku\u0142y<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-2452\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"region\" aria-labelledby=\"elementor-tab-title-2452\"><ul>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Hearing_the_Holocaust_Music_Film_Aesthet.docx\">Hearing the Holocaust Music Film Aesthet<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Myth_of_Imperceptibility_of_Film_Music.docx\">Myth of Imperceptibility of Film Music<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/CURRENT_CONFLUENCES_ARCHITECTURE_NARRATI.pdf\">CURRENT CONFLUENCES ARCHITECTURE NARRATI<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Music_Theory_Through_the_Lens_of_Film.pdf\">Music Theory Through the Lens of Film<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Film_music_in_advertising_An_intertextua.pdf\">Film music in advertising An intertextua<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/CROSSROADS_POETICS_TEXT_IMAGE_MUSIC_FILM.pdf\">CROSSROADS POETICS TEXT IMAGE MUSIC FILM<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Narrative_Music_Visuals_and_Meaning_in_F.pdf\">Narrative Music Visuals and Meaning in F<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/The_Affect_of_Music_in_Television_and_Fi.pdf\">The Affect of Music in Television and Fi<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Film_Music_Between_Tradition_and_Avant_G.pdf\">Film Music Between Tradition and Avant G<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/The_Music_and_Sound_of_Experimental_Film.pdf\">The Music and Sound of Experimental Film<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/The_music_of_Edmund_Meisel_for_the_film.pdf\">The music of Edmund Meisel for the film<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Film_Music_avant_la_lettre_Disentangling.pdf\">Film Music avant la lettre Disentangling<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Music_for_Silent_Film_A_Guide_to_North_A.pdf\">Music for Silent Film A Guide to North A<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Conceptual_Integration_and_Film_Music_An.pdf\">Conceptual Integration and Film Music An<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Classical_Music_in_Film_playlist_notes.pdf\">Classical Music in Film playlist notes<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/The_Utopian_Function_of_Film_Music.pdf\">The Utopian Function of Film Music<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Silent_Film_Music_A_Working_Bibliography.pdf\">Silent Film Music A Working Bibliography<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Film_Music_and_the_Unfolding_Narrative.pdf\">Film Music and the Unfolding Narrative<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Ukrainian_Film_Music_History_and_Moderni.pdf\">Ukrainian Film Music History and Moderni<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Film_Music_between_Interdisciplinarity_a.pdf\">Film Music between Interdisciplinarity a<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Music_Movies_and_Meaning_Communication_i.pdf\">Music Movies and Meaning Communication i<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Alternate_sound_tracks_Silent_film_music.pdf\">Alternate sound tracks Silent film music<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/A_Concise_History_of_Western_Music_for_F.pdf\">A Concise History of Western Music for F<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/ABSTRACT_FILM_AS_VIEWABLE_MUSIC.pdf\">ABSTRACT FILM AS VIEWABLE MUSIC<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Kitsch_aspects_in_film_music.pdf\">Kitsch aspects in film music<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Film_Music_Bibliography_2020.pdf\">Film Music Bibliography 2020<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Narration_and_film_music_diegetic_and_no.pdf\">Narration and film music diegetic and no<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Musica_e_film_Prima_parte_Linterazione_t.pdf\">Musica e film Prima parte Linterazione t<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Hans_Zimmer_e_la_musica_per_film_Unanali.pdf\">Hans Zimmer e la musica per film Unanali<\/a><\/li>\n<li><a href=\"https:\/\/www.thefilmcorner.eu\/wp-content\/uploads\/2025\/04\/Musica_e_film_Seconda_parte_Le_funzioni.pdf\">Musica e film Seconda parte Le funzioni<\/a><\/li>\n<\/ul>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-toggle-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2453\" class=\"elementor-tab-title\" data-tab=\"3\" role=\"button\" aria-controls=\"elementor-tab-content-2453\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon elementor-toggle-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-closed\"><i class=\"fas fa-angle-down\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-toggle-icon-opened\"><i class=\"elementor-toggle-icon-opened fas fa-caret-up\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-toggle-title\" tabindex=\"0\"> Bibliografia<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t<div id=\"elementor-tab-content-2453\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"region\" aria-labelledby=\"elementor-tab-title-2453\"><p>Adorno Theodor W., Eisler Hanns, La musica per film, Newton compton Editori, Roma, 1975. <br \/>Ambrosini Maurizio, Cardone Lucia, Cuccu Lorenzo, Introduzione al linguaggio del film, Carocci Editore, Roma, 2003. <br \/>Bertetto Paolo, Introduzione alla storia del cinema. Autori, film, correnti, UTET, Torino, 2002. <br \/>Bettetini Gianfranco, Il timpano dell&#8217;occhio, Bompiani, Milano, 2009. <br \/>Chaplin Charlie, Cosa penso del parlato, in Cinematografo, anno IV n\u00b010, 30 Ottobre 1930 <br \/>Chion Michel, La voce nel cinema, Pratiche Editrice, Parma, 1991. <br \/>Chion Michel, L&#8217;audiovisione. Suono e immagine nel cinema, Landau, Torino, 1997. <br \/>Chion Michel, I mestieri del cinema, Grafica Santhiatese Editrice, Santhi\u00e0, 1999. <br \/>Chion Michel, Un&#8217;arte sonora, il cinema. Storia, estetica, poetica, Edizioni Kaplan, Torino, 2007. <br \/>Comuzio Ermanno, Colonna sonora. Dialoghi, musiche, rumori dietro lo schermo, Edizioni il Formichiere, Milano, 1980. <br \/>Cremonini Giorgio, Cano Cristina, Cinema e musica, Vallecchi Editore, Firenze, 1990. <br \/>Ejzen\u0161tejn Sergej, Teoria generale del montaggio, Marsilio Editori, Venezia, 1985. <br \/>Kalinak Kathryn, Musica da film. Una breve introduzione, EDT, Torino, 2012. <br \/>Kerman Joseph, Write all these down. Essay on music, University of California Press, 1994. <br \/>Miceli Sergio, Musica e cinema nella cultura del Novecento, Bulzoni Editore, Roma, 2010. <br \/>Rondolino Gianni, Cinema e musica. Breve storia della musica cinematografica, UTET, Torino, 1991. <br \/>Catucci Stefano, I generi musicali in XXI secolo, in \u00abTreccani.it. Enciclopedia italiana\u00bb, musicali_(XXI_Secolo)\/ http:\/\/www.treccani.it\/enciclopedia\/i-generi<br \/>Bruni Valeria, Vassallo Silvana, L&#8217;audio-visione: riflessioni sul rapporto suono\/immagine. Intervista a Michel Chion, in \u00abKm\/n Quadrimestrale di Arti e Comunicazione\u00bb, Perugia, Dicembre 2000 Anno I, n\u00b00, pp. 21 \u2013 25, http:\/\/www.lacritica.net\/bruni.htm <br \/>http:\/\/www.hans-zimmer.com\/ \uf0b7 http:\/\/www.distortionofsound.com\/ <br \/>http:\/\/www.filmtracks.com\/composers\/zimmer.shtml silent film\u00bb, 89<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>the film corner Zasoby Film i Muzyka ENGLISH \u00a0A Brief History of Film Music:\u00a0 https:\/\/www.filmindependent.org\/blog\/know-score-brief-history-film-music\/ How movies use music to manipulate your memory: https:\/\/theconversation.com\/how-movies-use-music-to-manipulate-your-memory-217971 The impact of background music on film audience\u2019s attentional processes: https:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC9713244\/ The Roles of Music in Films:https:\/\/www.researchgate.net\/publication\/376968918_The_Roles_of_Music_in_Films &#8216;Pure Music&#8217; and Contemporary film:https:\/\/onshow.iadt.ie\/wp-content\/uploads\/sites\/6\/2021\/04\/MCCULLOUGHEllen_%E2%80%98Pure-Music-and-Contemporary-film_N00170291.pdf How Soundtracks Shape What We See:https:\/\/www.frontiersin.org\/journals\/psychology\/articles\/10.3389\/fpsyg.2020.02242\/full The Art of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2113","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/pages\/2113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/comments?post=2113"}],"version-history":[{"count":2,"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/pages\/2113\/revisions"}],"predecessor-version":[{"id":2559,"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/pages\/2113\/revisions\/2559"}],"wp:attachment":[{"href":"https:\/\/www.thefilmcorner.eu\/pl\/wp-json\/wp\/v2\/media?parent=2113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}